ABOUT

BAHZAD SULAIMAN

(*1991) is a Kurdish-Syrian artist living and working in Germany. His interdisciplinary practice explores sculpture as an expanded field, investigating the relationships between body, object, sound, and space. His work addresses questions of identity, memory, technological infrastructure, and ecological transformation, critically examining how contemporary life is shaped by systems of consumption and material culture.

Working across visual, performative, and installative-based environments, Sulaiman reinterprets sculptural form beyond static objects. He conceptualizes the human body as a kinetic sculpture and approaches household electrical appliances as sculptural archives that contain traces of time, use, and human presence. Through processes of transformation, these objects are reactivated as spatial carriers of memory and perception.

In recent years, he has expanded his sculptural language to include immaterial materials such as light and sound. In collaboration with composers, he integrates acoustic elements, including operatic voice, to activate sculptural environments. These immaterial components destabilize fixed forms and create immersive installations and performances in which sculpture becomes a temporal and embodied experience.

Sulaiman first studied sculpture at the Intermediate Institute of Applied Arts and later at the University of Fine Arts in Damascus. Seeking to further explore spatial dynamics and the relationship between moving bodies and constructed environments, he continued his studies in scenography at the Higher Institute of Dramatic Arts in Damascus. In 2019, he completed his master’s degree in Performance and Installation at the Hochschule der Bildenden Künste Saar in Saarbrücken, Germany.

From 2021 to 2022, he was a fellow of enoa – the European Network of Opera Academies at the Festival d’Aix-en-Provence, where he was mentored by director Peter Sellars. In 2022, he participated in the International Forum of the Berliner Festspiele Theatertreffen and received the Culture Prize of the Regionalverband Saarbrücken. From 2023 to 2025, he has been a fellow of the Akademie Musiktheater heute in the directing category.

Sulaiman has received several stipends from esteemed institutions, including Art Omi Residency (New York, USA), Schloss Wiepersdorf Residency (Germany), the Bijloke Residency and DOLERS Residency (Belgium), Magic Carpets art residency (Sweden), OASiS residency (Hungary),, “7THEX” ARTISTIC RESIDENCY (Portugal, Italy, and Germany), Fonds Darstellende Künste (Germany), Stiftung Kunstfonds (Germany), Look Up residency (UK and Germany), INITIAL of the Akademie der Künste (Germany), LIBERTY Creative Europe Programme (UK), IMPACT19- PACT Zollverein (Germany), World Wood Day (Turkey), and others.

His interdisciplinary works have been exhibited worldwide, including showcases at Saarland Museum – Moderne Galerie, Kunsthalle Mannheim (Germany), Center for International Light Art in Unna (Germany), Festival d’Aix-en-Provence (France), LUNA Light Art Festival (Netherlands), Light Art Biennale EVI LIGHTS (Germany), Esponja House of Culture in São Paulo (Brazil), Museum Friedland (Germany), Journeys Festival International (UK), Penticton Art Gallery (Canada), SPARTE 4, Saarländisches Staatstheater (Germany), Museum Stübing (Austria), as well as in Belgium, Italy, USA, Portugal, Lithuania, Bulgaria, Spain, Syria and Turkey.

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